Oscar Niemeyer Design Philosophy

Oscar Niemeyer Design ismBeing born as the son of brazils Federal Prime Minister, Oscar Niemeyer was musical accompaniment in a Portuguese compound style theater with beauteous tropical setting a wide carriageway, neatly lined with tropical trees, that curves along the broad sea argue looking out to the dome of Pao de Acuacar guarding the bays communicate lawn designed as formal gardens Niemeyer obsessed over the embellish of his motherland Brazil. No matter how different his polarityhold designs vary through quartetth dimension, the chemical element of landscape is always strong and evident. This essay foc employ on Niemeyers home plate designs.Being an icon of fresh architecture, Niemeyer pushed the limit of reinforced concrete and revealed the communicatory charm of this artificial material.The contemporary architecture was mo nonony. Niemeyer wanted to challenge it.Niemeyer is kn possess in the main because of his design for some of the virtually dominant politi cal buildings in capital of Brazil, Brazil. As one of the early pioneers of modern architecture, Niemeyer opened up a unique turn up to contemporary architecture using bold free-form curves in design. Some of his household projects were equally powerful in hurt of his outstanding application of free-form. But other projects indicate more thoughts in Brazils colonial background and his own formal geographic expedition throughout his c areer.Niemeyer did a serial of house projects with a huge time span from 1936 until now. Among the dozens of house projects, thither are extremely luxury houses he designed for wealthiest Brazilians, there area also some house he designed for middle class friends and family. Niemeyer also designed four houses for himself. One house, Casa das Canoas, was his most published and well-known work. Four houses designed in year 1942, 1949, 1953 and 1960 had varies characters and different concepts. As Niemeyers other house design sometimes have to ful fill his clients requirements, his own house designs seems to be trademarks of his career, evolving through different phases.The first house he designed for himself is located on a sloping site in Lagoa, Rio de Janeiro. Graduated from National Fine Arts School in 1934, Niemeyer was profoundly influenced by Le Corbusiers visit to Brazil in 1929. He get together Costas office in 1935, and from 1936-1942, he was working mainly on the Ministry of breeding and health Building, on which, Le Corbusier was invited as project consultant. During this period, influence from the modern master was obvious and they got clear reflected in Niemeyers first house.The three base house was zoned with clear rationality. The main lively room and bedrooms are clearly separated from the service area. A set of scissors ramp is rightful(prenominal) identical as the one appeared in Le Corbusiers Villa Savoye in terms of its function as the only connection surrounded by different floors. The linear up per floors sit on columns on the ground floor, with curving walls bet the flow from entrance to garage and later towards the ramp. Horizontal openings on the frontlet give a clear indication of free elevation.However, the house is not a unreserved duplication of Le Corbusiers work. Niemeyer started to explore forms and material in the context of Rio, which is a humid tropical Brazilian city. A iodin direction slanted roof visor deals with the massive rain water during the monsoon season. A drift on the second floor fully opens to the lake view. The material he used for the elevation is also unique. Different from his later larger public buildings which mainly deals with reinforced concrete, brick and wood was applied as elevation infill. On the top floor, the wall is composed with wood trims originally painted in blue. wooden louvered panels were added to cover the veranda. Wood was also widely used as the material for interior finishes as well. The symbol of house as a machin e, ramp, in Villa Savoye was no longer represented in cold admixture frames and concrete finish. It was covered in wooden panels on the side and a wooden frame. On the ground floor, bushes were planted from the minute site limit point towards the hose edge, defined by a hard pavement future(a) the outline of the elevated second floor. In this project, although marks from Le Corbusier are clear through the use of free plan and clear regularize in a house project. Niemeyers awareness of context and site was already obvious. This prototype of dwelling on top of the landscape evolved and became one of the most frequently used prototypes in his later house designs.In 1949, Niemeyer designed another house in Mendes, RJ. The house was built and later demolished. The house has a very dominant feature which was the slanting screens shelter the porches for living room and bedrooms. Different from his first house for himself, this house was located on a flat piece of land with the trees s urrounding it and a well out runs in front of it. The setting is purely natural, not urban. The difference in the context led to a very different design solution. The angiotensin-converting enzyme floor house is organized in a rectilinear ordain with all the rooms facing the screen and interior garden in between. Here, a hint can be found between his modernist approach and traditionalistic colonial architecture. The old colonial porch was transformed into a screened indoor garden, blending the artificial indoor and purer nature outside. This became a prototype which the landscape and the artificial indoor environment was articulated on the same take aim through a buffer garden.In 1953, Niemeyer designed his most published house, Casa das Canoas. The design was open to the world and shocked the audience with its curvilinear roof. Just before the CIAM meet for the first time in Brazil in 1954, the house was finished. Niemeyer faced some of the most dominant pulp in modern archi tecture with their critics on the house. Walter Gropius and Mies van de Rohe were both attracted to its yellowish pink but pointed out the uniqueness of its geometry became he limit that it can not be multipliable.Faithful to his political theory of mixed ancestry and Antropofagist hybridization, Niemeyer proceeded to infect the mere pavilion with the organic, spontaneous architecture of the morros, mixing Western achievements in the dramaturgy of domestic architecture with tropical exuberance and lessons from Brazils colonial past and customary present. Case das Canoas is one example of Niemeyers treatment of continuity between the interior and exterior. Curve and landscape became the media that he utilized to achieve it. With the irregular curvilinear roof lines, the nature surrounding the house became closer and farther, varies harmonise to the geometry. A large piece of rock placed right at the edge of the glass wall, penetrating the transparent faade and made it point le ss dominant. The warm wood finish of the interior partition wall conter-balance the rigidity brought by the steel frame of the glass faade. The white ceiling and black floor becomes the frame of the this transition between nature and artificial.The exploration of the form continued and became more vigorous when he designed an unbuilt house in Tel Aviv, Edmond de Rothschild House. This time with the desert becomes the setting, the free-form geometry was reverted from edge of the house to its inside. A free-form garden is enclosed by a rectilinear volume.Just at the time when Niemeyers free-form house design became a signature image. In 1960, he designed his house in Brasilia in a totally traditional colonial style. It creates a very strong contrast between the ideology of Brazils independence and its colonial historic roots. On the one hand, with the huge governmental projects, Niemeyer was creating the most powerful formal language, trying to declare to the world that Brasilia repr esents Brazils new future. On the other hand, he showed his respect very thoroughly to the colonial style, honest and modest. The houses feature a covered porch with red-tiled gable roof, whitewhased walls and on a regular basis spaced windows.More houses will be discussed following the category of the four houses Niemeyer designed for himself. These houses includesEdmundo Cavanelas HouseAllvorada PalaceCarmen Baldo HouseBurton Tremaine HouseWeekend house for Juscelino KubitschekCavalcanti houseOverlaid with the complexities of Brazils history and stratified society, these scenes evoke contradictions that Niemeyers designs have always equilibrize natural shapes created by artificial technology, structural logic and ecstatic emotions, simple forms and complex purposes. Niemeyers house design showed his critical thinking and evolving career, just as strong as his public buildings. His public building may be restricted to their formal strength as a responsibility to spill for the na tion. However, in his house design, there are clear trademarks of his weighing of traditional vernacular concept and modern formal exploration. Curves in Niemeyers house projects are more utilized as a mean to explore the family relationship between nature and artificial, building and landscape, indoor and outdoor etc.