Wednesday, May 6, 2020

Female Archetypes in Odyssey - 1289 Words

A Plotting Princess: Female Roles in The Odyssey and Antigonà ª Karen Rustad The fairy tale Snow White is a story about two women. One, the evil stepmother, schemes against her stepdaughter in order to assuage her envy and increase her power. She, of course, is thwarted by the end of the story. The other, Snow White, is a pure, innocent damsel entirely devoid of will. Nevertheless, by the end her prince saves her and she lives happily ever after. While Snow White is a European fairy tale, its dichotomy of female roles is a common theme in literature. In Homer’s Odyssey, the female characters are either powerful devils or passive angels. During the four hundred years of Greek civilization between The Odyssey and Sophocles’ Antigonà ª,†¦show more content†¦Antigonà ª breaks this norm after she is apprehended and she argues with Creon. Your edict, King, was strong, but all your strength is weakness itself against the immortal unrecorded laws of God. †¦ You smile at me. Ah Creon, think me a fool, if you like; but it may well be that a fool convicts me of folly. (203) Not only does Antigonà ª break the law, she breaks the social norms for gender relations by talking back to a man. She is willing to do this because she wants to uphold the laws of the gods. The Odyssey’s Penelope, as the loyal, passive wife, represents the second half of Homer’s dichotomy. From the beginning of the Trojan war to Odysseus’ return home, Penelope has not seen her husband for twenty years. She has been under siege from a throng of men trying to marry her. Penelope does not particularly want to marry any of the suitors, so she delays them by unraveling by night her weaving, which represents the time she has left before she must choose a new husband. This trick is not the primary focus of praise of Penelope in The Odyssey, however. After Odysseus returns home, Agamemnon’s response is not about what Penelope did; rather, he lauds her for what she did not do. True to her husband’s honor and her own, Penelope, Ikarios’ faithful daughter!†¦Tyndareus’ daughter waited, too - how differently! Klytaimnestra, the adulteress, waited to stab her lord and king. (451) The comparison betweenShow MoreRelatedThe Odyssey And Homer s Homeric1336 Words   |  6 Pagesawhile we see those qualities and characteristics in another character. that s the case with the characters of Demeter and Penelope. Although placed in different stories like The Odyssey and Homer’s Hymn to Demeter, both characters share qualities that makes them similar to one another. Furthermore, both powerful female characters experience an impactful loss that turns their life upside down. Demeter, a goddess of fertility, must struggle as she goes in the search for her daughter Persephone asRead MoreWomen In Ancient Greece Had Very Few Rights In Comparison1554 Words   |  7 Pagesa diverse cast of female characters in Greek mythology. 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The character of Penelope of Homers Odyssey 1 and Alcestis of Euripides Alcestis 2, came to represent the same ideal of female excellence. The Greeks referred to this ideal female as a sophron woman. The qualities possessed by a sophron woman are tangible;Read MoreThe Greek Mythology Of Women1820 Words   |  8 Pagessource of creation of the mythological universe, the creation of multi-gendered immortals, and the knowledgeable and powerful personalities attributed to women in ancient Greek mythology. Many popular Greek plays contain several well-written, complex, female characters. These women were depicted as the role of villain, victim, and even the role of heroine, showing the diversity in which women were seen in both mythology and ancient Greek society. We do not give much credit to the Greeks for t heir balancedRead MoreThe Birth And Evolution Of Ballet1691 Words   |  7 Pageswere permitted to play. They were not allowed to perform in ballets, but could dance in the ballroom. Men typically assumed female roles in dances, and the intricate ballet sequences and steps involving jumps were reserved for males. Women, on the other hand, were given dance moves highlighting poise, daintiness and modesty. It is not a coincidence that these gender archetypes were prevalent in ballet; indeed, they were distinctive traits not only in the ballroom but also in the typical social convention

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