Friday, May 24, 2019

Gillian Clarke Essay

Before even reading Miracle on St Davids Day, I knew that something very special was going to communicate from the word in the title Miracle. Clarkes use of this word suggests that an amazing event is going to occur and that the poem is on that pointfore going to be horny and poignant. Gillian Clarke uses the first poetise of the poem to create a pastoral idyll due to the use of personification-An afternoon yellow and open mouthed with daffodils. This conjures a happy and doting image of daffodils with their trumpets open wide, laughing in the solariselight, and it successfully personifies the flowers.Clarke in any case places people in the description to make it seem even more acute in our minds-the rumps of gardeners between nursery shrubs. The line, country house, guests strolling pulls together a vivid image of a beautiful, opening scene in the readers mind. Clarke also introduces the importance of nature right at the beginning of the poem in this first verse. lAt the sta rt of the second verse, Clarke dramatically dispels the pastoral idyllic that she created in the first verse. I am reading rhyme to the insane is a blunt line, completely in contrast to the last verse as it is so insensitive.As readers, we instantly realise the harsh reality of the situation that she is in fact in a noetic institution. Clarkes dispelling of the original image is efficient because it catches the readers attention immediately as it is a completely unexpected twist. It also makes the poem poignant because it makes the readers realise that there is never a perfect place and that there is always suffering around. Clarke goes on in this verse to describe some of the patients around her and the length of their mental disorders-An old wo humans interrupting offers as many buckets of coal as I need. Clarke describes the poignant image of a schizophrenic, beautiful boy absorbed in her poetry making us realise that her poetry may be powerful for these people.After verse two , Clarke introduces verse three by stating on a straightforward daytime, they tell me later to show how the split between a verse is a like the dramatic split personality of a schizophrenic. In verse three, Clarke goes into more detail to the highest degree her moving surroundings to build up a vivid idea of the situation in the readers mind. She describes ow the sun causes shadows of window bars into the agency and how a woman is sitting in these shadows as if she is in a cage. In a cage of first promenade sun a woman sits. Clarke repeats the word not, not listening, not seeing, not feeling to result in the woman appearing to be trapped inwardly herself and entirely va coffin nailt. Finally in this verse, Clarke writes, a big, big mild, man is tenderly led to his chair. The use of the adverb tenderly makes us understand just how practically c be and attention these people need.Clarke continues with the poems tone of compassion in verse four, by the slow reading caused by sev eral instances of pauses in the line due to commas much(prenominal) as hands on his knees, he rocks . I read to the big, dumb, labouring man as he rocks also brings about the sad sense that although this man seems self-sufficient and big on the exterior he is mild and insecure on the inside and in the mind. Finally Clarke uses an oxymoron, I read to their presences, absences to show how although they are physically in the room, some of their minds arent really there at all.In verse five, Clarkes writing makes everything of a sudden change. The slow and thoughtful pace of the poem ends dramatically in a similar way that Clarke destroyed the pastoral idyllic after the first verse. Gillian Clarkes use of alliteration also strongly suggests that something special is about to happen, He is suddenly standing silently, huge and mild but I feel afraid. Clarke consequently cleverly uses two similes to portray the moment before the man speaks, Like slow movement of spring water or the f irst bird of the yr in the breaking darkness.These similes are closely linked to new life spring which is convenient because the poem is set on the first day of spring. We also grasp from Clarkes use of similes that the man is going to do something new. This is a signifi gitt and poignant moment in the poem because the man is so well-built and huge yet what he is about to do is something really big and special for everybody in the room and the reader, the labourers voice recites The Daffodils The reaction to this mans speech is shock and no one is able to speak. The nurses are speechless and prepared for violence from the man but even they freeze.The patients, some of which are seriously mentally ill also suddenly listen, the patients seem to listen. It is effective and poignant, how Gillian Clarke then personifies the daffodils to match the characters and mood of the room. She expresses that even nature outside can react at this incredible moment. The hyperbole that she uses, a th ousand, ten thousand is an excerpt from the Wordsworth poem that the man is reciting. Clarke successfully employs this hyperbole to exaggerate the number of daffodils who gunpoint to observe to the man breaking free of speech and his life.I think that the seventh stanza is the most heart-breaking stanza, especially Since the dumbness of misery fell because that implies that the man was in one case a happy child and only halt talking and became miserable when something tore his life apart. This is poignant because it makes us imagine tragic events that could have stopped this man from speaking and that it really shows the power and impact that poetry can have. I think the daffodils are flame is a very effective and clever way of Clarke to finish the poem because it is ending with the daffodils where it first started.The way that nature outside corresponds to the event in the room is truly miraculous. In verse sestet Clarke personifies the daffodils as still as wax whilst the man i s reciting and the daffodils are then flame in the last verse during the mans applaud (we can see a fiery theme). The poem is so poignant because of the way Clarke creates successful images and personification so that we can feel we are in the room at the time of the miracle. The pathetic fallacy at the end leaves readers reflective and astounded by the description in poetry of such an amazing account.

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